By Carlota Caulfield, Darién J. Davis

This quantity, documenting the linguistic and cultural range of Latino literary output within the usa, bargains an exhilarating creation for non-specialist readers. particular in its scope and point of view, it specializes in numerous literary genres, and cinema, relating to Latinos. each one essay considers not just Latino writers who have been born or raised within the usa, but in addition Latin American writers who took up place of abode within the usa yet can also be thought of a part of the literary scene in their international locations of foundation. instead of keep on with one particular mode of association and presentation, each one contributor has provided his or her unique point of view at the subject material or subject. the result's an inclusive spectrum of the voices of the U.S. Latin American diaspora, illuminating the wealthy and intricate tradition of Latinos. Carlota Caulfield is Professor of Spanish and Spanish-American stories at turbines collage, California. Darién J. Davis is affiliate Professor of background and Latin American stories at Middlebury university, Vermont. members: Eva Bueno, Carlota Caulfield, Elizabeth Coonrod Martínez, Darién J. Davis, Jorge Febles, Lydia Gil, Armando González-Pérez, Patricia M. Montilla, Vincent Spina, Antonio Tosta, Sergio Waisman

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Additional resources for A Companion to US Latino Literatures (Monografias A) (Monografias A)

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Margarita Cota-Cárdenas’s novel Puppet (1985) creatively depicts a mental breakdown by the principal character of her novel. The protagonist attempts to continue her life as role model, citizen, professor, wife, and mother, while her psyche deals with feelings about the shooting death of a young Mexican-American by a police officer in Phoenix, and the conflict of her status as a member of the social class outside the Mexican community. Her mind eventually equates her with the infamous Malinche figure.

Niggli began her creative activity – by writing poetry and creating radio and Spanish-tradition festival plays – in San Antonio, Texas, where her parents had relocated during the unrest of the Mexican Revolution, and where she completed high school and her bachelor’s degree. In 1931 she was invited to pursue a master’s degree in play-writing in North Carolina. It is here, on the East Coast, that Niggli wrote and produced the first Mexican folk plays in English. 6 She published five of her one-act plays in 1938 in a book titled, Mexican Folk Plays; several others can be found in various anthologies.

Caras viejas y vino nuevo. Mexico City: Joaquín Mortiz, 1975. —— Reto en el paraíso. Ypsilantí, Michigan: Bilingual Review/Press, 1983. Morton, Carlos. ‘La Serpiente Sheds its Skin, The Teatro Campesino’, Theatre Drama Review: TDR 18:4, Indigenous Theatre Issue (1974), 71–76. Niggli, Josefina. Mexican Folk Plays. Durham: University of North Carolina Press, 1938. Reprinted Arno, 1976. —— Mexican Village. University of North Carolina Press, 1945. Reprinted University of New Mexico Press, 1994, with Introduction by Maria Herrera-Sobek.

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A Companion to US Latino Literatures (Monografias A) (Monografias A) by Carlota Caulfield, Darién J. Davis


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